Making Shang-Chi Great

By: Nguyen

Duplication.jpgNews broke out recently about Disney-Marvel Studios and their plans to make a movie about Shang-Chi, a hero that is a master of kungfu, and a previous member of the Avengers. Most interestingly, he taught Spider-man the “Way of the Spider” when Spider-man lost his spidey sense. Shang-Chi’s power-set other than “kung-fu” is his duplication abilities (e.g., like Naruto’s Bunshin no Jutsu). This power-set sounds awesome, as well as it distinguish other Asian Kung-fu heroes we seen before.

In my opinion, there are some changes that are needed to be done in order to make Shang-Chi successful in portraying “Asian” as a multi-dimensional and non-stereotypical being — and as a result, shine a positive light for Asian men.

Change number 1 – A Paradigm Shift

First, scriptwriters and directors need to create some kind of paradigm shift with regards to the depiction of Asian men. A paradigm shift means:

“a fundamental change in approach or underlying assumptions” (Wikipedia)

There are many stereotypes of Asian men that are perpetuated in mainstream media. As a result, this leads many people, especially non-Asians, to assume what Asians and Asian Americans are like in terms of personality, skill set, and/or mentality.

Here are some depictions of Asians on-screen so far:

  1. Asian men have long been perceived as less attractive and desirable (lack masculinity), awkward, and small.
  2. Asian men are asexual hardworking nerds (e.g., sidekicks, hackers)
    Sidekicks

     

  3. They are awkward kungfu masters, ninja warriors, Yakuza members that are either a clear-cut one-dimensional good guy or a bad guy with no goals, ambitions, and no reason for their actions. They are not depicted as great as white characters in similar roles: The Outsider (2018).
    1 dimensional

     

  4. They are the “Mr. Miyagi’s”, the wise old Asian man who teaches the white hero to be “the saviour”
    kungfu masters

     

  5. They are the foreigners (even if the actors/actresses are Asian-American) and are usually peeled of their individuality or designate these Asian characters as different from white people.
    Foreigners

    6. They are hypersexual or sexually deviant

    emasulation

Unless they are constantly doing it while knowing the consequences, I do not blame Asian and Asian-American actors and actresses for their past portrayals. These stereotypical roles have normalized how audiences see Asians and have long operated something for people to laugh at. A lot of people and movie studios think it is “tongue and cheek” humour when Asian characters are utilized as comedic relief, but Asian people need to be “in” with the joke. Are we really “in” on the joke?

Asian actors are stuck in a dilemma of whether they should refuse the stereotypical role or pay their bills (as well as pursuing their dreams of acting). These stereotypical roles always comes up because Asians are considered the model minority. Asian can be made fun off because they are seen as “successful” and “well-behaved” like obedient dogs, unlike other minorities (e.g., Black and Latino communities). Sorry to burst people’s bubble, but the model minority is a myth! This myth was used to unreasonably criticize the Black and Latino communities. Directors and writers need to beware of how they write Asian characters and remove these stereotypical attributes.

Also, in my opinion, it is not even genres that feature “kungfu / martial arts” that brought forth stereotypes. It is how directors and writers pick and choose how they want audiences to see Asians. The Asian roles overall in Hollywood are so one-dimensional. When the characters get killed off, the audience does not care. There is no emotional investment in Asian characters. Asian characters are often used as target practice and/or something for a white character(s) to kill. We are essentially shown as animals, and not humans (e.g., Lucy, Mission Impossible: Fallout, etc). For instance, in the movie Lucy, Lucy shot an Asian taxi driver because he did not speak English.

Hollywood somewhat started to see how impactful Asian castings are. For instance, there was a huge following after the works of Crazy Rich Asians (2018), and John Cho’s Searching (2018) in terms of box office success. However, there is still a distinct hierarchy on those who are supposed to be leads and a clear-cut difference between Asian actors in Hollywood movies versus Asian movies.

Case #1: Jackie Chan

Case #2: Chow Yun-fat

Case #3: Jet Li

Case #4: Deepika Padukone

Case #5: Lee Byung-hun

These five cases are very similar. These Asian actors are well-known and famous in their country. They are also experienced and talented actors with many movies in their resume; however, when these actors come to America for one reason or another, they continue to be portrayed as the foreigner or the outsider. Or, they play one-dimensional characters compared to their American counterparts. I know some readers will say:

“Of course, they are getting better roles in their country. Asian roles get better roles due to being in Asia. Same thing with American actors getting better roles in the US, as compared to foreign actors.”

If that was the case, why are Asian-American actors getting stereotypical roles? And why aren’t they getting juicy roles like their Caucasian American counterparts? Are Asian-Americans … not American??

Should Shang-Chi have an accent?

In my opinion, I think not. Unless they do it correctly (e.g., Black Panther). But lets face it … Hollywood loves exaggerated accents (e.g., The Simpson’s Apu, Breakfast at Tiffany’s (1961), Sixteen Candles (1984)). Shang-Chi may follow the same approach as the Russian superhero, Black Widow. In addition, most stereotypical Asian characters have accents, especially heavy exaggerated accents to distinguish themselves as “foreigners”. So, having Shang-Chi with an American or British accent might change the audience’s mindset and/or perceptions of how Asian people are like in real life (in America). Also, I do not want Shang-Chi to follow the Scarlet Witch approach (played by Elizabeth Olsen) wherein the beginning Scarlet Witch has an accent and in the Avengers: Infinity War (2018) she has an American accent. No need for inconsistency. Either the character has the accent or it doesn’t. 

Should Shang-Chi’s origin story relating to his father and mother be removed?

fumanchu

Fu Manchu

Most definitely yes! The director and writers should reconstruct Shang-Chi’s father’s backstory, rather than an Asian evil caricature created in the early 1920’s “Yellow Peril”, which was also captured in the comics (@subjectivism – Reddit, 2019). For instance, the directors of Shangchi could model their relationship after Star War’s Luke Skywalker and Darth Vader, Game of Throne’s Tyrion Lannister and Tywin Lannister, and Tekken’s Jinpachi and Heihachi. The Marvel-Disney studio should avoid any connection to “Fu Manchu” mythos.

yellow perilShang-Chi’s mother in the comics is a white American woman, but the shocking part is: “His mother was a white American woman genetically selected by his father” (Wikipedia, 2019). I also want this to be removed in the Shang-Chi’s mythology. Asian men are emasculated in media and we do not need any horrible Asian men “stealing” white or “genetically selected” women. What about embracing a strong Asian identity and healthy relationships between Asian men and Asian women? (By the way, mainstream media has had a tendency to erase this. Examples can be found in films like: To all the boys I loved before (2018), The Last Samurai (2003), The Wolverine (2013)). A solution could be that his mother is an Asian-American woman. As a result, Shang-Chi is divided between two worlds (assimilating in Western culture and having an Eastern culture through his parents), which is more similar to what Asian Americans are facing at this moment (the struggles of assimilating, while born in America).  Plus another opportunity to cast an Asian American actress, who have not received any “juicy” roles! 

Please comment on the blog post below if you have any other suggestions on how to improve Shang-Chi as a character or tell me if you think some of my suggestions / opinions are wrong. I am happy to learn from you! 🙂 

Ching Chong Ling Long Portrayal: Asian American Actors in Hollywood

By: Nguyen

What is the reasoning behind the lack of Asian American actors in leading roles?

My opinion is that the movie studios have no guts to take a risk on Asian-American actors and of course systemic racism in the Entertainment industry.

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Left: Jet Li, Bruce Lee, Donnie Yen & Jackie Chan

When I ask my Non-Asian friends as well as Asian friends, “Can you name some Asian actors in leading roles?”, they always say: “Jackie Chan” and “Jet Li” (occasionally Bruce Lee). It’s pretty sad and funny that all these Asian actors are associated with martial arts and nothing else. Throughout the 20th and 21st centuries, Asian men were always portrayed as “Mr. Miyagi” (wise elderly person), “kung fu masters”, “nerds”, “asexual friend” and so forth. What about Asian romantic leads, got any of those?

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Examining Ghost in the Shell (2017) and Rub & Tug: The Outrageous Case of Scarlett Johansson

By: Nguyen

Concept map

Click here for fullscreen

I went online (e.g., youtube comments, twitter comments, articles) to see everyone’s point of view and arguments about the whitewashing as well as gender-washing controversies focusing on Scarlett Johansson.

Please comment below, for instance, do I miss anything in terms of arguments from either side (e.g., Studio, Asian American Community, Scarlett’s Supports, LGBTQ Community)?

Marvel Cinematic Universe & DC Extended Universe

By Nguyen

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It’s Nicolas Cage!!!

We have seen the bronze age of superhero movies such as Tim Burton’s Batman and Richard Donner’s  Superman (also the non-release/cancellation of Tim Burton’s The death of superman 😉 ).

We also have seen the silver age of superhero movies such as Stephen Norrington Guillermo del Toro David S. Goyer’s Blade TrilogyBryan Singer’s X-men and Sam Rami’s Spiderman’s trilogy. Unfortunately, we also saw Tim Story’s Fantastic Four and Ang Lee’s Hulk.

hqdefaultAt this moment, we are living in a golden age of superhero movies where heroes/heroines that we grew up reading are now on the big screen! I still remember getting free Marvel comic books (e.g., Spider-man) and toys, every time I go to McDonald’s in the 90s. In addition, getting my Spiderman and Dr. Otto Octavius toys taken away from me by my Kindergarten teacher.

Marvel Cinematic Universe (MCU) is one of the most innovative spectacles in today’s cinema. The interconnectedness among different movie franchises (e.g., Ironman and Thor) as well as the eagerness among comic fans and movie fans waiting for Marvel-Disney studio to announce a new superhero movie (that isn’t popular among the general population).

The general movie going audience would probably name a few superheroes such as Batman, Superman, Wonderwoman, and Spiderman.

I remember when a B-list superhero aka Jon Favreau’s Ironman (2008) was released. It blew my mind with the combination of character development, story plot, and CGI! Both audience and critics love it! As a result, $140 million-budgeted film grossed $585 million worldwide! (However, Ironman 2 was “mediocre” at best in terms of story plot and villains).

The Avengers,Super Hero GroupMarvel/Disney Studio came out with a bang, after the first Ironman movie with B-list (e.g., Captain America, Hulk), even C-list (e.g., Thor) and D-list (e.g., Ant-man, Dr. Strange) superhero characters.

If I tell you 10 years ago, that Captain America’s Trilogy (includes: The First Avenger (2011), Winter Soldier (2014), and Civil War (2016)) was up-to-par or (some say) better than Christopher Nolan’s Dark Knight Trilogy, you will be laughing your pants off!

 

parody

Not only, did Captain America movies were great, but other movies such as James Gunn’s The Guardians of the Galaxy (2014) which includes a talking raccoon and a giant freaking tree character name Groot! You won’t believe me if I told you 5 years ago…James Gunn who directed a few porn-parody youtube videos will direct a Marvel/Disney’s Space Opera!

16906663_1169x1559Another few examples were Kenneth Branagh’s Thor (2011) which make sense since Kenneth Branagh is known to act in Shakespearean plays as a flawed protagonist (e.g., hubris/pride), Peyton Reed’s Ant-man (2015) (say what?! a “Bring it on” director?), and Scott Derrickson’s Doctor Strange (2016) (why is a director of The Exorcism of Emily Rose and Sinister making a “scary” Doctor Strange movie?). With some questionable director choices and risk by the Marvel/Disney studio, the movies were still a huge success!

Overall, MCU did well with the characters they have (MCU do not have the rights for X-men (FOX Studio), Fantastic four (FOX Studio), and Deadpool (FOX Studio)) and they stay true to the comic books. I believe they were successful because for each movie the studio use different types of movie genre. For instance, Captain America’s The Winter Soldier (2014) was a political thriller, Ant-man (2015) was a heist movie, and Doctor Strange (2016) was fantasy/magic and just plain strange.

The MCU films’ cinematography was great and not messy in terms of action sequences (I’m talking to you Michael Bay – Transformers!) and the films were most enjoyable and funny. MCU films use to have a problem developing good (and badass) villains, except for Loki. However, everything has changed when Ryan Coogler’s Black Panther (2018), Jon Watts and Enrique Segoviano’s Spider-man: Homecoming (2017) (Sony and Disney studio collaboration), Taika Waititi’s  Thor’s Ragnarok (2017) as well as Russo brothers’ Avengers: Infinity War (2018) was released in theatres. The one thing I love about Disney Marvel Studio is that they learned from their mistakes (e.g., villains, director choices, action sequences).

For example, in Thor’s Ragnarok (2017) took away the typical story tropes and made Thor a funny and lovable character. Essentially, this movie didn’t take it too seriously unlike Thor: The Dark World (2013). Another example is Spider-man: Homecoming (2017) where Disney Marvel studio introduce a new villain instead of rehashing old villains (I’m looking at you Marc Webb’s Amazing Spiderman 2 (2014)). Also, we haven’t seen a lot of high-school Peter Parker, finally Spiderman is played by a young actor, Tom Hiddleston … I kid, Tom Holland! Lastly, this new Spiderman movie has an 80s John Hughes feel to it, who doesn’t like Ferris Bueller’s Day Off (1986)?!

Here is my ranking for the newest villains in terms of great back-story, motivation, and badassery:

1) Thanos – Josh Brolin (Philosophy: Utilitarian consequentialism vs. Deontology)

2) Killmonger – Michael B. Jordan (Basketball legend Michael Jordan’s son … joking :P)

3) The Vulture – Michael Keaton (Didn’t expect the twist huh?)

4) Hela  – Cate Blanchett (Who doesn’t like an Overpowered Gothic Viking villain with a sassy attitude?)

marvels-the-defendersAnother note: Netflix’s tv shows such as Daredevil, Jessica Jones, and Luke Cage were great! The storyline and villains were impeccable! Iron Fist is okay, it’s not the greatest tv show ever and not the worst. These shows are also connected to the MCU as well (e.g., news headline about the Battle of New York). However, I feel the MCU/ Marvel Disney studio don’t want no part of the Netflix shows. Wing really loves Jessica Jones more than any other Defenders (and I agree).

Now onto DC Extended Universe (DCEU)! After the successful Christopher Nolan’s Dark Knight trilogy something happened… Joss Whedon’s The Avengers (2012) with a budget of 220 million USD made 1.52 billion dollars! As a result, Warner Brother Studio was trying to scrap something together by the name of “Man of Steel (2013)” directed by Zack Synder. In my opinion, Man of Steel was a good superhero movie, however, there were moments of lapse such as Superman’s motivation and intention. I think having two dads with different ideologies/principles could cause some confusion for the audience. Also, the tone of the movie seems like it’s for Batman, instead of the light-hearted Superman which we use to love from the comic books. In my opinion, the “dark” tone does not equate to “realism”.

RP15161-Wonder-Woman-ShieldPatty Jenkins’ Wonder woman (2017) was great in comparison to other DCEU movies. I would rate it very similar to Captain America: The First Avenger (2011). To be honest, the third act was very Michael Bay-like. However, it was still entertaining and kickass. I love the Wonder woman theme score, the Cello gave me goosebumps!

After Zack Synder’s Batman vs. Superman (2016), and Justice League (2017) and David Ayer’s Suicide Squad (2016) released in theaters the reviews were mixed. The DCEU  just can’t seem to catch a break. The latest news about The Flash solo film losing both writer/director Seth Grahame-Smith as well as his replacement Dope director Rick Famuyiwa due to “creative differences.” The project is currently without a director. DCEU needs a Kevin Feige-like person in charge of the direction!

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Fingers-cross that Aquaman (2018) directed by James Wan (who directed the incredible horror movies such as Conjuring and Insidious as well as Furious 7) as well as David Sandberg’s Shazam! (2019) kills it in the box office as well as critic ratings!

By the way, I can’t wait for Peyton Reed’s Antman and the Wasp (2018) and Anna Boden, Ryan Fleck’s Captain Marvel (2019)!

Please feel free to comment on your opinions about the MCU as well as the DCEU.